The Films of Todd Solondz: December 2023

Friday, December 1, 2023

The Final Iteration Of Love Child?

Apparently Rachel Weisz & Colin Farrell are as out as Penélope Cruz & Edgar Ramírez before them, but Love Child is still coming. According to FilmStage.com, Elizabeth Olsen is now set to star in the picture, with no word yet on her male co-star. The brief description of the plot reads the same as it did in 2017, though they quite possibly just took it from there. According to a casting ad in Backstage, it's coming from Volition Media and is due to start filming in "March or April 2024 in NYC." Not to jinx it, but that sounds pretty settled! 🤞

Bio

"I was born in Newark, New Jersey, and grew up in the suburbs. At New York University Film School, I made several short films, one of which, 'Schatt's Last Shot,' was particularly popular.

A screening was set up in Los Angeles, and the next day I was seated in the office of the (then) president of 20th Century Fox, Scott Rudin. A three-picture writing deal with Fox was quickly followed by an additional three-picture deal with Columbia. Unfortunately, the only thing I really liked about these deals was telling everyone I had them.

I had a script I then took to Propaganda Pictures, who then got Polygram to finance it as my first feature. This was a not a happy experience. Released by The Samuel Goldwyn Company, the movie, 'Fear, Anxiety and Depression,' (which I would rather have had titled 'The Young and the Hopeless'), was 'a disappointment.'

Afterwards I left 'the business' (or it left me) and, lacking any marketable skill, became an ESL (English as Second Language) teacher to newly arrived Russian immigrants. Pretending I had never gotten involved in film in the first place, I lived happily for several years. But then one day, when a lawyer/friend of mine said she was able to raise financing for a low-budget independent feature, I felt it was time to have second thoughts.

I had written the screenplay for 'Welcome to the Dollhouse' years before, when I was still 'active,' in part to redeem myself from the horror of my first feature experience, and it was a script I had always been fond of. Evidently, I decided to reactivate."
- Todd Solondz, from Sony Pictures Classics' official Welcome To the Dollhouse site