Thursday, August 16, 2001

Storytelling Preview in Premiere:

"It's two stories in one. And it's not exactly clear how they relate to each other. "They resonate," says producer Christine Vachon (Boys Don't Cry). In the first, "Fiction" (which was edited down so heavily that a story line featuring a sexually confused James Van Der Beek disappeared), a college student (Blair) leaves her handicapped boyfriend (Leo Pitzpatrick) to seduce her African-American writing professor; in "Nonfiction," a documentary filmmaker (Giamatti) reveals how clueless his teen subject (Webber) is, all under the suspicious gaze of his parents (Goodman and Julie Haggerty). "I've never dealt with race as an issue before," says Solondz (Happiness). "I know I'm playing with fire. There's a certain thrill there. I know people will be offended by it." Happiness, which dealt with pedophilia and masturbation, was released unrated, but Fine LIne wants to open Storytelling with an R. So Solondz has placed a red box over strategic body parts during the scene in which the professor thrusts against the student while forcing her to yell the N-word.
Eyes Wide Open: The cover-up is "the oppposite" pf what Stanley Kubrick did in the orgy scene of Eyes Wide Shut, Solondz says. "I want the audience to know [that what we're hiding] can't be digitally removed. That this is so censored." - Premiere 9/01

Wednesday, August 1, 2001

Storytelling's Untold Story:

Ok. As I understand it, now, Solondz original cut of Storytelling was about two and a half hours, rated NC-17, and featured three stories! Apparently, the producers wanted the film cut for both a shorter running time and an R rating. According to Dark Horizons, the shorn segment starred James van der Beek as "a closeted high school jock who becomes involved in a very explicit gay sex scene," along with Heather Matarazzo and Emanuelle Chriqui (Detroit Rock City, A.I. Artificial Intelligence). That's right, Matarazzo is out of the picture, too! Hopefully (my fingers are crossed, but I'm not holding my breath), the disappointing reception at Cannes (see below) might help convince the film's producers to do right and restore the third segment for Storytelling's official release. ...More relasitically, maybe we can just keep our fingers crossed for an inclusive DVD?